A definite must if your in London and want to see a show! 2nd in line, and I got 030 in Stalls for 25 - way under Balcony missing a few of the stuff like Phantom on a set-piece high and the chandelier going up. Messrs Colin and Asa Mccarthy-Burton Particularly the graveside scene at the start of Act 2, not to mention the spectacle of the chandelier and the phantom observing the scene on the rooftop. Earl Carpenter as the Phantom was rather subdued and didn't have the edge of menace I felt he should have had. It is never a consistent struggle to see the actors, since they are always moving around. I really dont waste much energy crying over spilt milk. _____________________, I went to see The Phantom of The Opera on the 1st December 2009 with a group of friends. Now, I always find Music of the Night the most boring song in the show - but this time I was completely gripped by it. Amy Had the Vicar been a devout Catholic, he would doubtless have crossed himself, as it was he gave a kind of holy groan, and rolled up his forehead, as he was wont to do when any . 11/10. I sat in the Upper Circle's B36, which is priced at 21 due to its very restricted view. For a strong overall stage impression, its best to sit in the central section, preferably in the front three rows. The major problem is the sound. Stalls section A row 12 seat aimeereynolds Her Majesty's Theatre The Phantom Of The Opera That great height brings us to the worst seats. The only real disadvantage was that it's quite close to a speaker on the wall, which sometimes makes it difficult to locate a voice on stage because the sound's coming from a different direction. more. I first saw 'Phantom' in the West End over 20 years ago and cannot believe I waited till November 2011 to see it again - twice! I had to phone See again, and after much discussion over the phone, they begrudgingly gave me their complaints department email address (something very difficult to find online). I thought it strange that the three seats (10,11 and 12) in front of me were unoccupied. Look out for your first newsletter in your inbox soon! I'd recommend this seat, even for a first timer, as long as they are not a grump, and are a theatre fan who doesn't mind a really close view with a bit of a restriction. I think all the seats in the stalls at both sides at the back will be the same. I absolutely loved it. Go right to section Stalls Seats here are tagged with: allows food and drinks has an obstructed view of the stage has awesome sound has great sound is padded Jarr50 Her Majesty's Theatre The Phantom Of The Opera Excellent. That low dress circle sits over the back half of the stalls, so the view of the stage is badly compromised from row O. This will give you the best chance at unimpeded views. The girl lead was very good, as was The Phantom although the same cannot be said for Raoul he had a very weak voice and was totally overpowered by Christina (not sure of the name of girl who played her - but the dark haired one). Went to see The Jersey Boys on Wednesday 8th Feb at His Majesty's Aberdeen. However stay clear of cheap side seats! A special mention to Oliver Thornton as Raoul.absolutely terrible! They should not sell any tickets for this seats. P.S. Melbourne Theatre Companys purpose-built theatre has a few detractors, who claim that the venue is subtly elitist; the further back you are, the more disconnected you feel. Most of it was drowning in an excess of sentimentality and melodrama. Also, I was in front row (Seat B10) - it is a restricted view because of the conductor - but he was not in my way at all, and B11 was affected slightly although it really wasn't a problem unless your under 4ft perhaps. I always though opera was amazing but this performance truly wins. Killian impressed me straight away. Sloppy movement, limp voices, technical hitches - we had them all. "After deciding it was finally time to see The Phantom of the Opera, I didn't want to pay too much for something I wasn't sure I would enjoy. Christine's interaction with the Phantom when she gives him a ring and kisses him being especially moving. The rest of the stalls were full. Another flexible space, this one is rarely set up the same way twice, so choosing the best seats can be a bit of a crapshoot. The singing was superb (The Phantoms voice was a bit ropey in places, but the rest of the cast more than made up for that). Ramin is different every time. So go see the show. The Merlyn is technically a flexible seating space, and has been set up in traverse, thrust and even with no seating at all. ** 'First Cover' the first choice actor to take a lead role in case of another's illness. If you are a resident of another country or region, please select the appropriate version of Tripadvisor for your country or region in the drop-down menu. I would never, never have booked this seat had I known there was a pylon directly in front of it. Okay, so Phantom is kitschy faux-Puccini with a sprinkle of mainstream rock but I like kitsch, Puccini, and Rock (not necessarily in that order), so Im fine with that. Thankfully British queue etiquette prevailed and we were allowed in first. It was my first time to see it and thanks to theatremonkey, I got a full-priced ticket less 20! Some people have thought that the show dragged but I think that is par for the course with musicals when they are a couple of hours long, and actually I was eager for the second half to start as I was really enjoying the performance. I do realise that the part of Raoul is not well, good, it seems the writers got board when they got to his part!! The legroom in E12 and E13 is very poor indeed and I would not sit in the Upper Circle again - although the view was acceptable, it wasn't brilliant (although you do get up close and personal with the Phantom when he's up to mischief way above the stage). I suppose you either love it or hate it and unfortunately we fell into the latter. Stalls P13: ridiculously good legroom in this row, thanks to the pillar placement. You are close to the stage without being too close, you can see the actors faces clearly; and the famous chandelier is just to the right of you a little bit when it goes up and down so it's not very scary being under it. Karen. I "didn't get" that the old guy bidding for the music box was actually Raoul and I think if ever I watched this again it would have more impact as I did enjoy the unusual opening to the show. He lacks charisma in order to allow us to build up empathy with the Phantom. This is the third time I've seen POTO, and each time the ending keeps the relentless pace, and the huge contrast of feelings - sensational! Plus, I have to admit I would have gone a bit earlier but after hearing Ben Foster on TV singing a song from 'Phantom' I put off going until he had left the cast as I thought he sounded dreadful. ), after reading a few reviews about 'Raoul' being a bit drippy in a few performances I was expecting to hate whoever played him but was more than pleasantly surprised when Simon Bailey appeared. Obviously the restricted ones have their downfalls but at least you know that in advance. His voice cracked twice more during the second half, and I felt a little bit sorry for him because I can imagine that is one of the worst things that could happen to anyone on stage. The balcony seats tend to be pretty high up, but they might be the best choice for the budget-conscious. Only the unexpected and deeply moving graveyard scenes and 'Wishing You Were Somehow Here Again' prevent act two drowning in bathos. At that time you heard her voice only over the speakers and not coming from the stage as before (I was very close). The rest of the show he seemed very tired and bland. The music was fantastic, and the singing was mind blowing. Very central and great view. The heavy romance keeps seats filled and the thudding mock grandeur of the score seems to reassure audiences of the quality. Perhaps its stalls and pay the big-ticket prices? Plenty of leg room for the aisle seats, as lots of room in front, but was also adequate when moving in. - and would recommend anyone to see it Sitting anywhere else in this row, I would have had to change seats, as I physically wouldn't have been able to last the duration of the performance (34inch legs) Thankfully, the overwhelming performance and amazing view made me quickly forget about the leg room, but feel this should be mentioned when you buy the tickets. Come on, recast already!! I was far more impressed when it came to life and was lifted up at the end of the Auction Scene. My partner really enjoyed the show and we both agreed that the staging is excellent. But then they have been practicing twice a day for nearly a couple of decades so you'd expect it to have come together by now! Book your tickets online for Her Majesty's Theatre, Melbourne: See 526 reviews, articles, and 132 photos of Her Majesty's Theatre, ranked No.27 on Tripadvisor among 781 attractions in Melbourne. That's it really, one last thing - Scott Davies received a standing ovation when he came on to take his bow - this was the only standing ovation I've ever witnessed for this show, I think it was mainly for his own performance as opposed to the show as a whole. When we left and teemed out onto the street we saw an advertisement for the forthcoming De Niro movie, 'What just happened?' Now for someone like me who has seen the show before row M is fine if going for the first time it's about 4 rows too far back for the view of the chandelier rising and falling. It was rather sad to see a show I love being massacred. _____________________. ____________________________, 9th July 2011. Wishing You Were Here Again is a great favourite of mine. The theatre is beautiful and conveniently located. Of course the story is daft, we all know that, but nevertheless it is pretty compelling and as with other big productions in London I just love the stagecraft involved which just makes me think oooh, thats clever the chandelier really is enormous, I was quite thankful I wasnt underneath it, the mirror, the magic tricks etc wonderful. Neither did they do anything to silence the couple behind us who were just carrying on a conversation during the show. BEWARE These seats have restricted viewing (although not sold as such ) the floor of the balcony cuts off the top of the stage. From here I could literally feel the vibrations of the music, especially the first dramatic bits when the chandelier rose up. The big disappointment was Katie Knight Adams, I have never seen someone sing and act so badly on stage (and I have seen many shows). I loved every single minute of it. Excellent view of the stage and I enjoyed it very much. The walkway down to the Phantom's lair was a really slick and effective trick, and had you believing they were really walking downwards. Katie Hall as Christine was what I hoped. Great view of the stage and all the action but no enough leg room! I wish they would hurry up Sometimes, sitting closer to the stage can be even cheaper than sitting a few rows back. _______________________________________________. More Cuban dance music here: https://youtu.be/awTKVyyHbeUI hope you enjoy my other playlists. We were in E 10, 11 and 12 in the stalls and they were very good. This show knocks spots off the movie and I am currently reading the novel, struggling a little with it as it is quite different. Series Dedication The Red Gambit series of books is dedicated to my grandfather, the boss-fellah, Jack 'Chalky' White, Chief Petty Officer [Engine Room] RN, my de facto father until his untimely death from cancer in 1983, and a man who, along with many millions of others, participated in the epic of history that we know as World War Two . ____________________________, Went to see Phantom again last week (June 2007) it must be 15 years since I last saw it. Stall standing is floor and is standing only. I think all the seats in the stalls at both sides at the back will be the same. Much of the "romance" is over-the-top and dramatic, but as I don't often watch shows of this nature it didn't really give me cause to be critical as I expected this when I entered the theatre. Although sold as restricted view because of a pillar, it is to the left and isn't really an issue . Probably the best view I have ever had at the theatre. Given a big enough budget, landing helicopters, flying cars or video screens do not prove a challenge to the set designer, whereas "Phantom's" "coups de theatre" are achieved almost entirely with VICTORIAN stage workings. _____________________, After waiting over 20 years to see 'Phantom' I finally made it over to the West End last week (10th September 2008). I disagree with the negative reviews on "The Phantom of the Opera", Earl Carpenter was excellent as the Phantom, even better than Michael Crawford; and Katie Knight-Adams was excellent as Christine. I was just wondering how restricted the view will be from there. With Sofia she seemed a bit more mature to compliment; but with Katie she acted so much younger, they did seem like childish yet lovable girlfriends. It's not half as grimdark as it used to be. The lavish sets and spectrum of colours explode onto the stage, especially at the start of the second act, and capture your attention and your heart. Leila did not come out in time for us to see her, but Alex and Ramin did. However, make sure you see Celia Graham as Christine when you book this show. Here's my review for stalls O4: I will say it is hard to decide where the good seats are. I have two more bookings to go, and am in danger of turning into a nerd, but really, just the best show there is! Grand Historical Tour. What are the best seats at Her Majestys theatre? Will Barret as Raoul, well, sorry but he's awful. The songs are fantastic, the set is amazing and the storyline is exciting, maddening, and devastating all at once. No seat is far from an actors point of command; and the span of the seats matches their effective span of vision. D7 through to D16 were fantastic seats, probably the best seats in the house. Having seen Katie in the 25th anniversary concert of Les Miserables, I knew she had a good voice, but had no IDEA just how powerful it really was since the part of Christine in Phantom is way more demanding than that of Cosette in Les Mis! He made me cry at the end, he was just so incredible - especially when imitating the music box and when Christine gave the ring back. You lost the very front left corner if you sat right back, that was all. Now that it has, somehow, run for so long, it's going to run, and run, and run, isn't it? Chris Rouse. Rachel Barrell played Christine and Andrew Thwaite was Raoul, and there was a stand in conductor as well. If you continue to use this site we will assume that you are happy with it. One thing I will point out, we treated ourselves to the 'RoyalBox Sharing Canaps' - what a waste of money! We don't seem to have any photos from this section. Most memorable. It was directly in front of the Phantom when he appeared in the suspended decorations and a great position as the chandelier swooped past. Gee Colin. I totally disagree with Theatremonkey. _____________________, Thought I'd drop you a line with regard to my most recent trip to London to finally catch "Phantom," a show that I've wanted to witness for a long time but not enough to fork out for the always-top price and hard-to-get-without-booking-early seats! Current prices are advised at time of enquiry. I was responsible for buying the tickets hence I had checked reviews of the seats using TheatreMonkey, which I found was very useful. In placing before the reader this unabridged translation of Adolf Hitler's book, Mein Kampf, I feel it my duty to call attention to certain historical facts which must be borne in mind if the reader would form a fair judgment of what is written in this extraordinary work. We disagree. It was probably the best birthday I could give my little girl. Angie Christie (Mrs) Katie B Review tags are currently only available for English language reviews. How to find cheap and discount price tickets, Tips for First Time and Overseas Visitors, http://www.thephantomoftheopera.com/london, https://www.facebook.com/ThePhantomOfTheOpera, https://uk.thephantomoftheopera.com/day-tickets/, https://www.lovetheatre.com/theatremonkey. You only miss a slight amount of action far left of the stage but nothing too noticeable. All three of us thought it was absolutely outstanding: John Owen-Jones was so powerful and charismatic as the Phantom, his voice was amazing (I was only sorry we didn't see as much of him as I would have liked! We had 2 seats in row B of stalls (front row), what a nightmare, No leg room at all!!!!!! The silver lining for me had to be the 80s music: not long into the first half the synthesizer kicked in, shortly followed by the drum-beat which I'm guessing originated from the same lame 80s Casio organ (they must have been taking good care of it for it to last so long..). He portrays the Phantom as autistic, and he had all these mannerisms that I picked up on straight away. My praise is reserved for McCanns masterpiece performance, combining a slight subtle stature with an explosive, concentrated, resonant Phantom. __________________________. Hands down, the best seats in this theatre are the front rows of the dress circle. You can't miss the beautiful, street-facing entrance, and although there is no designated drop off area, cars can pause to drop off passengers nearby on Grote Street. 57 Haymarket, London SW1Y 4QL, England Open today: 11:00 - 23:30 Save West End and South Bank Theatre Walking Tour in London 16 Book in advance from 23.00 per adult Check availability View full product details Leanne_Dee Coventry, United Kingdom 13 13 Restricted view Review of Her Majesty's Theatre London Reviewed 14 July 2017 via mobile Anh Do - The Happiest Refugee Live!! On the downside, the set and staging is clever, but not used efficiently. "Phantom" is a model of stagecraft which has sadly been lost to technology. Best seats are stalls F 22 and 23. Final comment, absolutely brilliant show, would thoroughly recommend it, want to go again, and again, and again. His voice was beautiful in my opinion he was the best phantom I have seen. There was a huge pillar in front of me right in the middle of my eye view, but 10 was well worth it. The music and pure voices bring a lump to your throat and the way that the sets change around to create the different scenes is amazing. I was in the Grand Circle in seat F21. Superb show straight from London's West End. BEWARE These seats have restricted viewing (although not sold as such ) the floor of the balcony cuts off the top of the stage. the cast were magnificent. He said, just wait a moment. The grand circle is only good if you are in the front few rows, but the worst seats in this theatre are actually the back of the stalls. But towards the end of Act 1, in the 'All I Ask Of You' reprise he seemed to lose his way. Not only was this happening but I was leaning to the right (luckily it was towards my friend in seat G1) which made my right leg dangle lower than my left one!! I really enjoyed the show and everyone else was really good. ____________________________, We were disappointed in this production (August 2007), and aghast that Carlotta had a much nicer voice than Christine! We paid top price for them but well worth the money. I would call them up so they can tell you what the viewing problem is. As a 45th birthday treat for my Wife we travelled from South Wales to see the Phantom ( for the umpteenth time!) Grand Circle, Seats D14, D15 and D16 were fantastic. A big compliment however for Wendy Ferguson as Carlotta, she was very very good. I came back about 30minutes later, when all the queue had gone, and I asked what time would it be worth coming back later. Some of the key moments happen on Down-Stage Right, but fortunately the singing and lines are so clear you can visualise it for yourself. Whichseats.com can't be held responsible for complaints arising from the use of this website. The Musical which brought the dress circle forward, making it a pretty good location if you want to take in the production's set. The Theatre advised me where the best seats were and this was reflected in the top price 58 (we paid 38) they were emphatic that the seats we had were not restricted viewing. We had seats F23 and F24 in the Stalls. After this scene the unmistakeable unique theme music begins, the sound in the theatre was amazing, better than any cinema. If you are a resident of another country or region, please select the appropriate version of Tripadvisor for your country or region in the drop-down menu. proof that an orchestra and Europop are hardly mutually exclusive. I did not expect to sob as much as I did, having seen the musical many times and knowing the storyline, but this man is exceptional. N6 The cast sounded like a train wreck when they all sang different lines at once. Coming after the last of the most belated romanticists, untouched by the fever for the theatre, a realist with great imagination, both a classicist and a romanticist, he led music back in her proper channels by showing that a phenomenal sense of form and a mastery of polyphony second only to Bach are not incompatible with progress, with the . USE "BACK" BUTTON TO RETURN. The day was made even better when regardless of the fact he would be performing later Scott spent around fifteen minutes at stage door talking and having pictures with us. It's closer to the MCU than many people would like to admit. Your view is blocked for a few seconds during the masquerade scene so you miss the entrance of the Phantom and I had forgotten about SPOILER the actor who pops up during the show from the orchestra pit who blocks your view SPOILER ENDS - but again being so close adds to the experience. Maybe he is quite new to the role, I'm not sure, but he is instantly forgettable; and there was far greater chemistry between Christine and the Phantom - she should have stayed with the Phantom and told Raoul to clear off! I was worried that the stage would be high and we'd get a crook neck from looking up, but the stage is low and the view was amazing, we couldn't see the chandelier going up once it had passed the Grand Circle, due to the overhang, but that's a small price to pay for such a clear and close view of the cast. The thundering Overture sets the show off into a great whirlwind of excitement, and the show lives up to all of the hype associated with it. Gina is a sweet Christine too. John Owen Jones has ruined any other Phantoms for me and sadly, Ben Forster just didn't have the gravitas that I would have liked. My only word of caution would be take a light jacket, the air conditioning is too good!!. I loved the chandelier, although it was literally centimetres above our heads, some lady in the audience screamed and many of the audience gasped as it was unexpected. So great to be so close to the actors but not too close that any actor was blocked. Whilst the current Christine is not the best, we have to remember that this is one of the most demanding roles musical theatre has ever created. I have ever had at the back will be the same first in... Will Barret as Raoul, well, sorry but he 's awful who were just carrying on conversation. For complaints arising from the use of this website view because of a pillar, it is the... Thing I will say it is to the actors but not used efficiently us who were just carrying a... Thankfully British queue etiquette prevailed and we were allowed in first autistic, and,. And did n't have the edge of menace I felt he should have had love being massacred and everyone was. 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