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Revelation Perth International Film Festival Inc, Distinctive storytelling for the big screen, Ambition, creativity, audience engagement, Quality, cultural value, innovation, diversity, Opportunities for First Nations storytellers, Insights into challenges facing the industry, International awards for Australian projects and people, Australian screenings at international festivals, International Pitching Events and Talent Labs, International Marketing Support: Festivals and awards, All Screen Australia production applications. [32], The Go Foundation reported that it had received several messages from members of the public who had seen the documentary and wanted to express their remorse for having booed Goodes.[20]. 0000003092 00000 n There were always people who argued that Goodes was not a victim of racism just a King Kong reference here and an ape joke there, set to the soundtrack of thousands of punters booing from the stands. Relevant parts of Years 9 & 10 achievement standards: By the end of Year 10, students analyse how social and cultural values and alternative points of view are portrayed in media artworks they make, interact with and distribute. Third party web links are provided for your convenience only. 0000008383 00000 n This sets the scene for exploration of one of the films key messages: that words matter, and they ought to be used responsibly. Director Ian Darling's documentary The Final Quarter provides a confronting, comprehensive recap of the shameful events that saw Adam Goodes booed into retirement. subsequently exacerbated the situation by suggesting, in an on-air interview, that Goodes be used to promote the forthcoming stage musicalKing Kong. This requires planning among multiple teachers and across specialist streams. From 2013, Sydney Swans footballer Adam Goodes went from being a champion footballer, an outstanding Indigenous leader and the 2014 Australian of the Year, to being booed and taunted by fans at stadiums across the nation. Late 2019: Launched the educational strategy in partnership with the Australian Human Rights Commission, Reconciliation Australia and Cool Australia, including 46 lessons for years 5-12 on dignity, cultural pride, racism, truth-telling, respect, resilience, and mental health. Adam Goodes was Australian of the year in 2014. 0000001825 00000 n There are a huge number of techniques that are used in films to convey meaning. Premiering at the Sydney Film Festival, what a picture The Final Quarter paints; one that as the archival footage emphasises all played out in the public eye under the sizeable gaze of both the country's football media and the popular code's supporters. In this lesson students will learn about archival documentary filmmaking conventions and apply their analytical skills to scenes from The Final Quarter. Music, still images and diction-ary definitions have been added to heighten the message of The Final Quarter. 0000003887 00000 n There are many themes, concepts and events in the film that teachers need to be aware of and reflect upon so that they can provide sufficient safety and support for students. Tracy Bentin,Psychologist,MAPS; Grad Dip Applied Child Psych; BBSc (Hons). Goodes, an Aboriginal Australian, was drafted by the Sydney Swans in the 1997 AFL Draft and went on to have a successful career with the Swans, featuring in their 2005 and 2012 premiership teams and being awarded a number of accolades for his performances including the AFL Rising Star award in 1999,[1] the Brownlow Medal (2003 and 2006),[2] the Bob Skilton Medal (2003, 2006 and 2011),[3] and All Australian selection (2003, 2006, 2009 and 2011). At the centre of a maelstrom, confronted by all kinds of ugly behaviour, the player himself remains composed and eloquent, offering nuanced perspectives. As the name suggests, The Final Quarter focuses on the last stages of Goodes' time in the AFL when he was verbally attacked by spectators and high-profile media figures, relentlessly booed at games, put under immense scrutiny for celebrating his Indigenous heritage, accused of staging for free kicks and ultimately chose not to play for a period due to the toll he was under. An in-depth look at casual racism and racial vilification in Australia. 0000052832 00000 n Narragunnawali: Reconciliation in Education (Reconciliation Australia). Theyre booing you because youre acting like a jerk, he bellows, going on to ridicule the league for promoting diversity-related initiatives and declaring that, as a white heterosexual male, he is waiting for my day to come. Adam Goodes, captain of the Sydney Swans, at the end of the 2012 AFL grand final at the MCG. Directed by Ian Darling, and solely compiled from archival material in a technique reminiscent of another great sports doco in recent years, . Students will gain an appreciation of the work of Shark Island Productions and the power of archival documentary to communicate public messages of importance. These Primary and Secondary resources are designed to support teachers and students in exploring the key themes of Australian documentary, THE FINAL QUARTER. Subscribe for full access to The Hollywood Reporter, Ian Darling recaps the years-long media cycle that drove Indigenous sportsman Adam Goodes out of the limelight in 'The Final Quarter.'. Darling also makes the point that we can always learn from history whether that history is found in an ancient scroll inside a museum, or via television footage from the old, dark, distant days of 2015. Re-examines the incidents that marked the final 3 years of Indigenous footballer Adam Goodes' playing career. All Rights Reserved. Excludes Producer Offset and Producer Equity Program. Director Ian Darling wanted to explore what happened and why, and start the conversation about racism in Australia that Adam Goodes asked us to have. 0000001644 00000 n Our Watching the Film lessons are designed to support you in facilitating this process. Goodes himself was not interviewed for the documentary, although he was consulted and gave permission for it to go ahead. But there is one key figure who is conspicuous by his complete absence. Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period, and places it in a wider historical context. Students explore the way mood and message is created for the audience by the editor and director. Student Worksheets one copy per student. The Hollywood Reporter is a part of Penske Media Corporation. Mise en Scene is an integrated design concept which refers to what we see on screen in a film. And so it is also a film about the purpose and value of legacies. During the last three years of his career, Goodes was named Australian of the Year, accused of staging for free kicks, and performed an on-field war dance celebration. Registration is fast and free. They specialise in creating documentaries that educate the public about important social issues. It begins in 2013 when Goodes, at that point a veteran of the game, singled out an opposing teams supporter for calling him an ape during a match. [17] He did not attend the Grand Final, where retiring players traditionally take part in a parade, one of only a handful of players to decline this invitation since the parade for retiring players was established. Background [ edit] Using only archival footage aired at the time, The Final Quarter holds a mirror to Australia and is an opportunity to reconsider what happened on and off the football field. [8] Many clubs and players in the AFL supported Goodes in the week of his leave. The fact its ongoing was underlined by an apology to Goodes issued by the sports governing body that directly preceded the films Sydney Film Festival premiere, and another documentary on the same subject is set to open the Melbourne International Film Festival in August. Cool celebrates the world's oldest living culture and acknowledges that sovereignty was never ceded. Uncomfortable, too, in the middle of a media storm he never saw coming, and which seems never to abate. 0000007435 00000 n Using only archival footage aired at the time, The Final Quarter holds a mirror to Australia and is an opportunity to reconsider what happened on and off the football field. I am referring of course to the final quarter, as it were, in the career of Sydney Swans star. Project-specific support provided through Screen Australia's P&A Program only. Director's Statement. 0000003860 00000 n In addition, 13,000 users accessed the educational resources on Cool Australia and 2,500 watched the film, and the AToM study guide was downloaded 3,507 times. Adam Goodes was a champion AFL footballer and Indigenous leader. Director's Statement. 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The methodology of The Final Quarter and other aforementioned films of its ilk can have a distancing effect - many of the traditional powers of the motion picture medium (cinematography, for. 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Camera angles refer to the tilt of the camera in relation to the scene and the characters. Cool Australia has produced 52 lessons designed for Years 5-12 that investigate racism, privilege, truth-telling, cultural pride, resilience, values and dignity. The motivation for, and acceptability of, the booing generated wide public debate, which dominated media coverage from both sports and political commentators for weeks at a time. Considers how the media influences audience perspectives through the use of language and point of view. For ease of use we have organised this information in Primary and Secondary sections. 33 Creative and the GO Foundation were invaluable in publicising the film and carrying out its impact campaign over social media. [18][19], The documentary uses only archival footage and newspaper headlines from the last few years of Goodes' career, with no new interviews or footage. The cheers became boos as football crowds turned on him. Those unfamiliar with Australian football are unlikely to become adherents after watchingThe Final Quarter, a documentary that weaves together archival footage to tell the story of Indigenous player Adam Goodes, whose outspokenness about racism led to a cavalcade of jeers and finally to his exit from the game. Cool celebrates the world's oldest living culture and acknowledges that sovereignty was never ceded. Further, the film has already achieved positive educational outcomes. Learn more about the film here. Investigates our individual and collective responsibility toaddress racism in the community, workplace and school. Adam Goodes was a champion AFL footballer and Indigenous leader. Within the first three months of the educational release, the film: had been seen within ~25% of secondary schools in Australia and became the third-most watched content on ClickView in 2019, including 1,073 institutions streaming the film and a total 22,294 views. The Final Quarter Teaching Resources The Final Quarter Curriculum Resources Fighting against Racism through Education. 0000067587 00000 n hb```f``a`c`gd@ A2 , ]p&V0]~l[8mNg[YUyg)&t28~rd]3fW'd:e how technical and symbolic codes are used by the director of. | Michael Safi", "Watching Goodes film was like a punch to the face", "Acclaimed Adam Goodes Doco 'The Final Quarter' Will Hit TV Screens Next Month", "Adam Goodes: The Final Quarter film set to air on Channel 10 in July", "The Final Quarter review exhilarating Adam Goodes documentary pulses with urgency", "The exhilarating Adam Goodes documentary The Final Quarter is a must-see", "goodes-documentary-a-film-for-all-including-those-who-booed-him-20190530-p51ssm.html", "syd-film-fest-review-the-final-quarter-records-shameful-treatment-of-adam-goodes-258190", "AFL apologises unreservedly for failures over racism faced by Adam Goodes", "Club statement: 'The Final Quarter' documentary", https://en.wikipedia.org/w/index.php?title=The_Final_Quarter&oldid=1102231855, Documentary films about Australian rules football, All Wikipedia articles written in Australian English, Short description is different from Wikidata, Rotten Tomatoes template using name parameter, Creative Commons Attribution-ShareAlike License 3.0, 2019 Best Reporting of an Issue in Sport (Winner), 2019 Best Documentary Feature, Asian Academy Creative Awards: Grand Final winner (World) and Regional Winner (Australia and New Zealand), 2019 Best Editing in a Documentary - Sally Fryer (Winner), 2019 Best Editing in a Documentary Feature - Sally Fryer (Winner) Australian Screen Editors Ellie Awards, 2019 Best Sound in a Documentary (Nominee) Australian Screen Sound Guild, This page was last edited on 4 August 2022, at 01:34. 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